We’ve just installed a small exhibition to mark the fortieth anniversary of Sydney Opera House on 20 October. The anniversary, by the way, is of the official 1973 opening by the Queen, not the first public performance there on the 28 September 1973, an interesting choice of dates.
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With thousands of sailors in Sydney this week for the International Fleet Review, celebrating 100 years since the Australian Navy sailed into Sydney Harbour in 1913, I thought I'd write about children's sailor suits.
Re-skinning of buildings takes several forms, not all of them particularly reputable. During the 60s and 70s salesmen prowled the suburbs, seeking out fibro and weatherboard cottages that could be re-clad with aluminium or vinyl.
I’ve been holidaying in Europe recently; mainly Italy and Greece, but we also managed a day in Marseille. France’s oldest and second-largest city is European City of Culture for 2013 so there is even more to see than usual.
A couple of month’s back I was contacted by a Daily Telegraph journo, doing a story about Sydney’s ‘Gatsby-style’ mansions. Baz Luhrmann’s take on The Great Gatsby had just hit the screens and the media was searching for evidence that 1920s Sydney had glamour to match that of New York.
This image above is from a series by Museum photographer, Geoff Friend capturing the secret world of mannequins. Sometimes when venturing into the basement or workshop areas, particularly late in the afternoon I feel I have interrupted murmurings between mannequins.
Despite being a huge star for MGM in the 1940s and 50s, Esther Williams’ most famous connection to Australia is arguably her role in the film Million Dollar Mermaid where she portrayed the early life of Annette Kellerman.
We have just acquired this watercolour elevation of the Sirius public housing apartments in the Rocks. Most architects’ elevations use a street level viewpoint – this bird’s eye view is different and striking.
Sometimes museum work can take a long time to bear fruit and this collection of World War One portraits is a case-in-point. For most of the twentieth century they were buried within the huge collection acquired by James Tyrrell, the Sydney bookstore owner.
Mudgee is the place to be from 19th to 21st April. Historic engines and tractors will be there in force, but there will be a lot more to interest visitors, from Clydesdale horses to old-style games for children.
The Clare Hotel on Broadway is closing this year. It will open again, but not as the comfortably crumpled venue of recent times. The Clare’s past and likely future are reflective of the fortunes of Sydney pubs.
You might have read recently in the Sydney Morning Herald about the planned demolition of Sydney Convention Centre at Darling Harbour. The Centre’s architect John Andrews is not surprisingly unimpressed that another of his Australian designs is under threat after a mere 25 years of use.