Principal Curator Matthew Connell explores the ideas behind the creation of Sydney’s most famous building.
Curator Tilly Boleyn uncovers the history of the world’s first antibiotic drug.
Peter Cox on the outlandish outfits that defined Australia’s rock ’n’ roll rebel.
Curator Min-Jung Kim discusses the bronze bell as an important spiritual object.
Curator Tilly Boleyn explains why the surgical table is a powerful representation of women’s rights.
Curator Glynis Jones describes the iconic dress that helped launch Australian label Romance Was Born to greater heights.
Assistant Curator Nina Earl reflects on her journey to Antarctica.
Designer Jennifer McMaster from TRIAS architectural studio explains the ideas behind Four Periscopes.
Assistant Curator Sarah Reeves explains Australia’s first payload to the International Space Station Cuberider1.
The MDC’s Life and Death at the Museum tours offer fascinating stories on objects that have impacted on life and death.
Author Bruce Pascoe on the unique and complex relationship between Cadigal woman Petyegarang and William Dawes.
Time and Memory author Vanessa Berry talks to Joyce Thomson about reading the time live over the telephone.
Curator Eva Czernis-Ryl reflects on Barry John Willoughby’s significant contribution to the MAAS Collection.
Comedian and broadcaster Tim Ross talks about his collaboration with MAAS and the invisible icons of Australian design.
Senior Curator Keinton Butler discusses the impact of contemporary design practice in Australia and neighbouring regions.
Assistant Curator Nina Earl explores art collective teamLab’s creative processes in the Future Park exhibition.
MAAS Volunteer Meg Stevenson reflects on almost 30 years of work at the Museum.
Principal Curator Matthew Connell explains Eddie Koiki Mabo’s connection to surveying and the stars.
Designer Andrew Simpson talks about materialising 19th-century design drawings from the MAAS collection.
Dr Kate Scardifield, MAAS Visiting Research Fellow, investigates cosmic tapestries and bodies of knowledge.